Travelling Sideways in Time (Without a Suitcase): The Aggregate Identity of Audrey Parker on Haven

A distinct strand has differentiated itself in television programming the twenty-first century: series that feature female protagonists travelling between parallel worlds. The worlds most of these are on edge destruction through terrorism, war or another traumatic event. protagonists, who share special ability to travel worlds, have a unique role play – they serve as mediators universes. Their inbetweenness enables their autonomy and resistance violence, death, appropriation. This is played by Audrey Parker (Emily Rose) fantasy/supernatural drama Haven. Audrey’s task an interdimensional portal town Haven every twenty-seven years help police officer protect inhabitants plagued “the Troubles,” is, supernatural abilities, which finally threaten them with imminent destruction. uniqueness resides not only her status traveller but also identity, consists many segments different consciousnesses inhabit same non-ageing body over five hundred years. essay will analyse temporality character, governed patterns nomadic subjectivity, proposing figure links human lifetimes geological aeons, symbolised aether, primary substance Void, located That link makes show Anthropocene, geologic time period defined humanity’s influence upon earth. Anthropocene challenges us think beyond usual lifespan, so does result individual egotism leading misuse aether trope for our planet. uses represent network connections repercussions dispersed centuries illustrate how cumulative actions impact show’s anti-linear strategies thus address environmental concerns increasingly unstable environment propose new ways threats concerning ecological disaster.